American Routes celebrates music and musicians from New Orleans, Mississippi and French Louisiana. Recorded live at New Orleans’ venerable (1906) Civic Theatre, the show features New Orleans clarinetist Dr. Michael White and the Original Liberty Jazz Band with the definitive Creole music born in the Crescent City: traditional jazz. White is joined by fellow NEA Heritage recipient, Cajun fiddler Michael Doucet and the influential band of the French Louisiana cultural revival BeauSoleil (‘good sunshine’). The downhome blues of guitarist and wordslinger Little Freddie King of McComb, Mississippi kicks off the show and the spirit-filled gospel of Electrifying Crown Seekers from New Orleans’ West Bank take us home. Our special guest is beloved jazz vocalist Topsy Chapman, also famed locally as the first black cocktail waitress on Bourbon Street in the 1960s.
For Billie Holiday’s centennial celebration, we follow her from her beginnings through a complex life of troubles and musical triumphs, her compelling “autumn” voice and untimely passing at age 44. Biographers John Szwed and Robert O’Meally discuss Lady Day’s style and significance, while Cassandra Wilson describes and sings her approach to the Billie Holiday oeuvre. Singer Catherine Russell describes reaching back to recreate classic blues and jazz. From our archives we hear Nina Simone and Bonnie Raitt praising their blues heroines in story and song.
We celebrate the songmaker, piano “professor” and producer from New Orleans who passed away suddenly in November, 2015. A beloved Creole gentleman, Allen Toussaint was a hometown hero and giant on the American music scene. He wrote over 800 songs and produced regional and national hit records such as “Java” (Al Hirt), “Mother-in-Law” (Ernie K-Doe), “I Like it Like That” (Chris Kenner), “It’s Raining” (Irma Thomas), “Yes We Can” (Lee Dorsey) among others. Toussaint worked closely with the Meters, Neville Brothers, Dr. John, Paul McCartney and Elvis Costello. He is in the Rock ‘n’ Roll Hall of Fame and received the National Medal of Arts. Allen Toussaint’s famed autobiographical song is “Southern Nights.”
We’ll re-visit the moment when the “California long-hairs” took over a Nashville studio to pay tribute to aging country heroes. A look back at the 1972 LP Will The Circle Be Unbroken with John McEuen of the Nitty Gritty Dirt Band and his memories of those historic sessions. Then, a conversation with another musician familiar with Nashville, jazz vibraphone master Gary Burton. Plus a visit with Jake Shimabukuro, for whom any genre is a fine match for the ukulele.
How do we capture the intangible power of music and memories? We’ll first take a tour of the Lewis Family Museum and liquor store in Ferriday, Louisiana, where Jerry Lee Lewis’ sister Frankie Jean shows us around their family home decorated with show posters, weapons, magazine clippings, religious icons and other memorabilia. Then we’ll visit with the mayor of Ferriday and the people who turned memories into reality of club/hotel/bus depot/post office Haney’s Big House that burned down in 1966. Across the river in Natchez, MS, blues drummer and harp player Hezekiah Early looks back on playing in Haney’s house band. Back down in New Orleans, we’ll talk with Treme Brass Band’s leader and snare drummer Benny Jones and bass drummer Joe Lastie about their late drummer and friend Uncle Lionel Batiste who was memorably embalmed standing up in street parade finery.
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